Fujiyoshida, the "town of weaving,": Past and Present
Introducing the history and present state of a textile production area that has been in operation for over 1,000 years.

Fujiyoshida has been known as a textile production center since the Heian period, over 1,000 years ago. Today, it is known as a "weaving town" with many factory brands. Over the long years, Fujiyoshida has gradually transformed as a textile town. We will introduce the journey to the "weaving town" of today, along with its history.
Fujiyoshida is one of Japan's leading "weaving towns."
The textile culture of Fujiyoshida, a history spanning over 1,000 years.
Located at the foot of Mount Fuji, Fujiyoshida City has long been known as a textile production area. This is attributed to the availability of abundant and clean spring water and the emphasis on sericulture due to the unsuitable environment for agriculture. Even today, it remains one of Japan's leading textile production areas. In recent years, each factory has launched its own original brand and is developing direct sales. A new wind is blowing through this long-established weaving town. Regular events are held, such as "Open Factory" on the third Saturday of every month, where companies open factory tours and direct sales stores, the "Hataori-machi Festival," a weaving festival held every October, and "FUJI TEXTILE WEEK," a textile arts festival.
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Three technologies that support Fujiyoshida textiles
"Pre-dyed, fine-count, high-density yarn" produces vibrant colors and a high-quality texture.
The dyeing process in Fujiyoshida, which uses natural water from Mount Fuji with low hardness, is outstanding for its vibrant colors. Furthermore, by combining advanced techniques such as "pre-dyeing" (dyeing the yarn before weaving), "fine count" (using thin yarn), and "high density" (weaving the yarn tightly), it produces a smooth texture and a high-quality feel.

"Pre-dyed" yarn offers vibrant color and is resistant to fading.

"Fine thread count" creates a light and fine texture.

"High density" creates vivid, three-dimensional patterns.

The origins of weaving date back more than 2,000 years.
The Legend of Xu Fu
The origins of weaving in Fujiyoshida can be traced back over 2,000 years to around 200 BC, during the reign of Qin Shi Huang in China. Xu Fu, ordered by Qin Shi Huang to find the elixir of immortality, sailed to Japan with a large fleet of ships laden with treasure. It is said that Xu Fu searched all over Japan for the elixir, and legends of his search remain from Aomori in the north to Kagoshima in the south. It is said that Xu Fu finally arrived in Fujiyoshida, and while searching for the elixir, he taught the villagers the techniques of sericulture and weaving. A place believed to be Xu Fu's tomb and the Xu Fu Rain-Praying Jizo Shrine, dedicated to Xu Fu, still remain in Fujiyoshida today.
It was a major textile production center during the Heian period, over 1,000 years ago!
Textiles from Fujiyoshida, which have become widely known as "Gun'nai Textiles" and "Kai Silk."
Over 1,000 years ago, during the Heian period, a legal code called the "Engishiki" (967 AD) contains a description to the effect that "Kai Province (Yamanashi) shall supply cloth." This is the oldest record that clearly shows the relationship between Yamanashi Prefecture and textiles, indicating that it was a renowned weaving region recognized by the government at the time. It is rare worldwide to find a weaving region with a history of over 1,000 years, and textiles produced in the eastern part of Yamanashi Prefecture (Gun'nai) are called "Gun'nai Textiles" or "Kaiki Silk," and have been touched by many people to this day.
During the Edo period, it established itself as a high-end brand of textiles.
To a high-quality textile production area renowned throughout Japan
During the Edo period, Gun'nai textiles established themselves as a producer of high-quality textiles due to their superior techniques and craftsmanship. Among them, "Kaiki" silk, which was created by studying pre-dyed textiles called "Chikawatari-gire" brought by the Dutch, became a focal point of attention. With laws repeatedly enacted prohibiting extravagance, the people of Edo, unable to wear the clothes they liked, enjoyed fashion by decorating the inside of their textiles. This is where "Kaiki" silk became highly valued. With its beautiful colors and patterns, Kaiki silk became extremely popular as a lining for haori jackets, and it even appeared as Gun'nai-jima (a striped textile) in Ihara Saikaku's "The Life of an Amorous Man."
The hardships faced by a textile town during wartime in the Showa era

The requisition of looms has made production impossible.
Fujiyoshida had flourished as a center for high-quality textile production since the Edo period, but the situation changed drastically when World War II began. Metal was gathered from all over Japan to make military supplies, and looms were requisitioned from Fujiyoshida. The number of looms confiscated reached a staggering 9,300, and for a time, production became impossible.
After the war, the "Gachaman" era arrived, where weaving alone brought profit!

City festival scene from the 30s
The looms will be restored, and the textile town will regain its vitality.
After the war, Fujiyoshida, having regained its looms, entered a golden age known as the "Gachaman" era. It was such a prosperous time that it was said, "You can make 1 yen with just one weave," and there was such a shortage of weavers that there was a fierce competition for women, known as "Orihime," to work in the weaving factories. Having completely recovered from the hardships of the wartime era, a market was held on the 1st and 6th of every month in Kinuyamachi, where silk textile wholesalers were concentrated, attracting merchants from all over the country. The entire town became lively, and Nishiura, the shopping district of Shimoyoshida, was said to be bustling with customers every day. It was also during this period that the local dish "Yoshida Udon" became famous, and it is said that the firm udon was born when men kneaded the dough with all their might to make a filling udon in place of the women who weaved.
The hardships of the weaving town return once again.

A scene of someone destroying a loom with a hammer.
Influx of cheap imported textiles leads to the joint disposal of weaving machines.
Fujiyoshida, once a thriving center known as "Gachaman," saw its situation drastically change when cheap textiles began flooding in from abroad. Despite having modern equipment, high-quality textiles, including Kai silk, were inevitably costly and labor-intensive to produce. As consumers began buying cheaper textiles from overseas, weaving mills suffered a major blow, and one after another, they went out of business. Adding insult to injury was a movement to destroy looms, known as the "Joint Loom Disposal Project." Due to declining sales and production adjustments caused by trade friction, many weaving mills closed down, and a staggering 7,200 looms and 740 twisting machines were destroyed. This amounted to about 4% of the looms at the time, marking a major turning point for the weaving town.
Artisans connect the future of the weaving town.

New manufacturing born from inherited techniques
While the industry was in decline, some people rose to the occasion. These were the second and third-generation artisans who inherited the weaving mills. Utilizing the advanced techniques honed over more than 1,000 years, they not only supplied fabrics to other brands but also entered the market with their own original brands. With the cooperation of many people, including designers from within and outside the prefecture, the Yamanashi Prefectural Fuji Industrial Technology Center (commonly known as Shikenjo), and Tokyo Zokei University, new products are being created one after another.
Furthermore, on the third Saturday of every month, they hold an "Open Factory" event where visitors can tour the factories and directly see and touch the original products of each company. Various events are also held to promote the charm of Hataori-machi, such as the "Hataori-machi Festival (commonly known as Hatafes)," where fabric products from all over Japan gather in one place, and the textile arts festival "FUJI TEXTILE WEEK." Through these efforts, Fujiyoshida's textile industry is moving forward into a new era while preserving its traditions.










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